Adaptation

Screenwriter / Producer Interview: Leslie Dixon (“Limitless”) Part 1

by John Robert Marlow
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Leslie Dixon is screenwriter and producer of Limitless, based on the novel The Dark Fields by Alan Glynn. (Click here for Alan Glynn interview.) Her other credits include: The Heartbreak Kid (STO)*; Hairspray (MUS / MOV); Freaky Friday (NOV / MOV); The Thomas Crown Affair (MOV); Mrs. Doubtfire (NOV); Outrageous Fortune and other films. Limitless earned over $150M at the box office. (Watch the Limitless trailer here.)

JRM: How did you come to be a screenwriter?

Leslie Dixon: I was just a narcissistic little fantasizing nobody that actually had the temerity to think that I could move to Los Angeles, totally on my own, and break into the entertainment business.

It was very difficult for me to leave San Francisco, because I was living with this really great guitar player. Not a rocker. This guy could finger pick ragtime. And any song off the top of his head with a moving bass line, and get it rolling.

But I did want to make a living and I did want to be involved with the movie business, which I loved. But I loved film probably more than I loved bluegrass, so I worked up the guts to leave. It was hard for any San Franciscan to leave and go to L.A. period, much less try to break into a notoriously tough business.

JRM: Did you know how tough it would be at the time?

Leslie Dixon: No. And if I had, I wouldn’t have tried. I had been on my own since I was 18, and couldn’t afford to go to college. Read more at Make Your Story A Movie .com…

Author Interview: Rex Pickett (“Sideways”)

by John Robert Marlow
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Rex Pickett is author of the novel Sideways. The modestly-budgeted film adaptation (written by Alexander Payne and Jim Taylor) earned over $100M at the box office, and was nominated for five Academy Awards, including Best Adapted Screenplay (which it won) and Best Picture.

Rex has also directed, and has written several screenplays himself, including My Mother Dreams the Satan’s Disciples in New York—a film that won an Academy Award for Best Live Action Short. His most recent novel is a Sideways sequel called Vertical.

JRM: How did the Sideways adaptation come about?

RP: We went out to both film and publishing simultaneously. The publishing industry loathed the book in no uncertain terms, and we pulled it after 16 rejections because my book agent didn’t want to stink up the rest of the publishers in the event we did a film deal.

But the film world turned it down universally as well. You hear about rejections in publishing, because your agent gets rejection letters and sends them on to you. In film, you generally don’t hear anything. And I didn’t. Read more at Make Your Story A Movie .com…

Is Your Book a Movie?

by John Robert Marlow
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Is Your Book a Movie? A Crash Course in Book-to-Screen Adaptation
by John Robert Marlow

Is your book a movie? Should it be? How do you get there from here—and what’s in it for you? Fasten your seatbelt, and let’s rip through this…

THE AWFUL TRUTH

Let’s face it: being an author is a noble profession, but reaching the financial pinnacle of our chosen profession requires more than the ability to put brilliant words on paper.